Haileybury, Scotch and Presbyterian Ladies are names of Colleges that conjure up thoughts of money, power, and elitism. Old Boys Networks, Corporate Lawyers, Stockbrokers and Bankers, AO's and MBA's, Professors and Politicians.
Private Colleges have been the birthplace of many Captains of Industry, National Party Politicians, Colonel Blimps and Crooks. The upper echelons of society can usually trace their origins back to an elite private school where they may or may not have been drilled in either the Cadet Corps or their Boarders bed.
But where would our Caledonian Society be without our elite schools for they are the only place where young people experience and even take up playing in Pipe Bands. The swirl of the skirt, a bit of deft fingering, strange screams, getting your arms around something you can squeeze, a lot of banging and something hairy hanging between your legs along with much blowing and wailing. All of these things cannot help but make your mind conjour up the images of a Scottish Piper.
Sometimes they are ostracised from society for participating in these noisy gatherings and have to seek out hidden places to do it, beyond the range of inquisitive ears for society insists on them doing whatever they do well beyond earshot of children. Despite the fact that we have a Piper living somewhere in Linton they remain anonymous to the Astonisher but we hear that a lot of blowing goes on down around the Recreation Reserve.
Imagine if you will a world without Bagpipes. Hallelujah I hear someone cry. However good that might be to some it would also spell the end for Highland Dancing, Parades, Funerals and Caber Tossing.
Students from the elite schools go on to play their Pipes and Drums in the Ballarat University Pipe Bands or those in Bendigo and Warrnambool, Watsonia and Hawthorn, Frankston and Moorabbin. Even the band in Daylesford, where the wearing of skirts is almost compulsory for all genders, would be no longer if the Pipes disappeared from the Quadrangle.
But Pipe Bands do persist. We are stuck with them forever. They are part of our Australian culture now as evidenced by the names. Saul, Semple, Mak, Sylviris, Brandt, Wong and Canaan, Bates, Maxwell, Ng and Page. Many good Sasanach names ripple through the ranks. But Australian culture is evident in the fact that almost half the members of Pipe Bands are now women and there is more than a sprinkling of our Asian family there as well. We are well attuned to the faces of Indians, Pakistanis and the Gurghas wielding Claymore and Dirk but it is still somewhat unusual, even to me, to see Vietnamese lips on the blow-stick or banging on a snare drum.
It doesn't even seem to matter what size you are either. You can be a Super-Magda or Dwarf. I've seen players of the Field Drum with only about 10cm clearance from the ground as they heft the skins half their size down the street.
Over the years the Bass Drum seems to have moved up the chest to lay on top of the stomach rather than in front of it due, I expect, that some players have developed a paunch and their arms are not long enough anymore. As a result skins and even the drum themselves have become see-through.
Yes, we still enjoy the painful wail of a bagpipe. Where would we be without them? Then again, maybe that all that squeeling down at the Reserve might be very tight sphincters on very tight Kangaroos and not a Piper after all.
Would you believe I am really a great fan of the Pipes. So
COME OUT , COME OUT
WHOEVER YOU ARE